The Collector

Couple of things here.

New short story called The Collector. I wanted to write about a curiosity shop, mostly because it's very easy to write about curiosity shops - you can fill whole paragraphs very easily just by sitting down and listing things. It took me a while to get beyond the setting and work out what the actual story was I wanted to tell.

I've also been getting some vaguely political thinkpieces published, in the Australian journals Flood and Overland. They are:

Lost Creatures, on the WWI tank in the Queensland Museum. Patrick gets a mention in this.

Monsters of the Unknown, on the weird horny mysticism of Jordan Peterson and D. H. Lawrence.

Marx, Ramsay and the ghosts of the Western canon, on Australian conservatives' obsession with Western Civilisation and Marx' essay The Eighteenth Brumaire of Louis Bonaparte.

So there those are. The stuff about Marx and vampires I think is probably gameable. Dracula shows up, you can always find something to do with Dracula. Somebody put a game together where you fight Dracula and undead Napoleon in Paris during the 1848 revolution, I'll play it. I've been reading a bit of Victor Hugo as well and it all fits together.

a peeper deeper

READY TO HARVEST IN THE WITCH'S GARDEN

roll a d4, +0 for summer, +3 for fall, etc, or whatever precision suits your calendar
rolls 13+ wrap back to start of table

1 spring, summer	birdnests, plucked from the bough just when their chicks are fledged can be held over the mouth to filter noxious airs burnt, their smudged smoke is insufferable to any spirit of great age	7 winter, fall	eyecap mushrooms grow in pairs eat one to see out the other eat both to go blind for a day
2 summer	manyams are plucked before they grow too ripe and boisterous they can be stored anywhere they are sealed from the light, but are most productive when put to work straight away do not let them unionise	8 winter	dug up from between the roots of trees and sucked on a frozen toad confers a rapturous nostalgia, claimed by addicts to give great insight the venom, extracted, inflicts the same effect
3 summer	malodorous skunk cabbage draws pollinating beetles and the hungry dead the peppery leaves announce their deadly poison with swells and burns on contact careful doses cause numbness, can treat burns or constipation	9 winter	when held in the mouth, black cockerel eggs corporealise a possession within their victim's flesh when baked they make devilish good cakes
4 summer, fall	after slow and careful drying through summer, broomsticks are best trained in fall gusts it's wisest to spend the first season simply sweeping with a new broom, but they can yet be ridden, given enough skill or determination	10 winter, spring	holding last grasps of frost, hoary aurgelmir grows in thick lichenous beards on bowed trees its tea cools fever its essence, drops wrung from the bale, can douse campfires
5 fall	salmon eggs can be collected by the bucket, though this is inadvisable as they attract bears crushed with herbs and birdsnests they're a rejuvenating tonic left to rot, a dispeptic binding agent for curses and troll cakes	11 spring	false fir cones crack when burnt or struck, mouselike seeds wiggling backwards from their pod great impersonations, make adroit messengers, spies remember everything heard, even when they're trees grown
6 fall	pumpkin-spice leaves dry out on the vine by mid fall crumble readily into a powerful desiccant powder the powder, heated, smells irresistibly delicious	12 spring	bathwater is most potent if not collected every spring reliable cleaning agent for most household stains functionally the same as holy water

FOODWEB GENERATOR
animals eat whatever's rolled immediately after them. definitely add branches!
however you roll will change characteristics of the ecosystems you can generate:
 - to make more real ecosystems, decrease your die size after every roll (bunching up the lower orders of life) and add the result of your roll to depth (no bear-eating grasses here!)
 - get a lil more hectic by adding less than the die-size each roll (more role reversals), and using larger dice (blurrier categories for life)

	normal	underfoot	kooky	space
1	humanoid	gopher	bear	crab
2	canid	rat	boa	tick
3	felid	mole	sloth	eel
4	bird	spider	chokeoak	bacterium
5	mustelid	millipede	wolve	clam
6	deer	ant	stag	ant
7	spider	worm	wasp	krill
8	bird	beetle	orchid	fungus
9	bug	ant	toad	epiphyte
10	grub	worm	wurm	coral
11	vine	bacterium	blackfly	algae
12+	tree	fungus	humans	bacteria

CATACOMBS
If you're down here with the blessing of a priest you just go through each room in order. Otherwise, I'd go ahead and roll separate d4s for graves, goods and guardians on each level. Spooky!
Potential plot hook: someone in town wailing that their beloved has been buried alive for political reasons

	grave	gravegood	guardian
1	natural rock, thickly worked in charcoal and ochre. herds of careful-sketched ancient beasts come alive in the torchlight	stone arrow heads, lumpy wooden figures, a misshapen pot. all given potency by uncounted aeons	sabretoothed spirits prowl through charcoal arcs. touch the walls and face possession by primordial hungers
2	stonemason's shaft, letting air and workers into the lower levels without disturbing the shallow older tombs	pickaxes, buckets, chisels and carts. some nice chunks of pyrite	holy mason, dustmask insulated with layer of scripture. better handle on architecture than current politics
3	hollow walls and the occasional pit. ingenious traps rotted away to mildew and stone	jars of depressurised acid, a basket full of snake bones. meticulous, illegible plans for marvellous, lethal devices	angry dust. made up more of dirt than actual body. hates having the air disturbed, would be very happy if you trapped it in a bag
4	descriptions of the underworld in faded paint. a little cartoonish, but still bittersweet beautiful	stone-eyed scultpures of leering beastial gods. carefully-wrapped creatures, cats and birds and a few apex predators	bone-dry mummies. arms bound in thin bronze torcs, hands clutching thin bronze spears, still sharp after a thousand years
5	stacked stones and piles of enemy skulls. graven runes render grim prophecy	a cache of silver icons and a grinning gilded mask. great stacks of antlers and a mound of mouldy hides	forgotten kings, iron armour corroded half to dust, arguing as to who has precedence in cutting off your head.
6	grandiose histories carved into the walls, obsessive, speculative genealogies and misattributed floods	a chest of ancient currency; tiny copper tools and weapons. a lacquered library of rotten scrolls	a warring emperor, sealed in a silver suit. plots against the spiders and cave crickets that infiltrate their domain
7	stacked headstones, piles of charred skulls. mass graves jumbled full of bones	melted rings and blackened jewels. beds, straw and velvet both, hastily interred while still occupied	an apparition of crickets, one true bug for every dozen empty husks, the whole haunted by pestilential spirits
8	elaborate frescoes mural the walls, of themes more recognisable to the modern eye	snuff boxes and moth-bitten purses, spectacles and flimsy ceremonial weapons	gentrified skeletons bemoan the turpitude of the modern age, call down stone gendarmes to deal with trespassers and teens
9	tasteful stone enclaves hold shy the curious dead. rows of urns carved into the rock	on every corpse a purse of two tin coins, some with earrings or other things of sentiment	old dried souls shamble in idle confusion. when bumped will turn and press you, hungrily, for news of their lost life
10+	corpses laid out for their year before cremation. nameplates box in the ash of those burnt	a tastefully disguised closet, chemicals and tools for cleaning and preserving	a lone soul wanders among these newest corpses, little gibbets of flesh in their teeth, insisting that they aren't yet dead

The Club

Posted another short story to Medium. This one is called The Club. Inspired by the detective novels of John Dickson Carr - his detective, Gideon Fell, was also a big fat jolly English guy, inspired by the real-life figure of G. K. Chesterton, whose own detective was a small anonymous Catholic priest.

The interwar period - the 20s and 30s - is the classic Lovecraft setting, obviously. I've posted about that here and here. There's a lot of easy cliched material you can use - in America, flappers and gangsters and bootleggers, in England, Agatha Christie and P. G. Woodhouse. There's also a lot of deep political and artistic weirdness going on - modernism and futurism, fascism and communism - which contrasts interestingly with the whole Victorian adventure-fiction tradition, still very much alive and well at the time. 

So on the one hand you have plucky British heroes stealing rubies from the eyes of Indian temples - on the other hand you have Ulysses and Italian guys writing odes to the motor car. The cool white cubist surrealism of Picasso and le Corbusier, which would come to define the aesthetic of the 20th century, vs. sailing ships and pagan death cults. Which is basically what Lovecraft is about.

Not that this story is about Lovecraft at all. But I've tried to capture some of the weirdness of the interwar setting and hopefully demonstrate why I think it's so productive for writers and game designers.

My first story, The Strange Fate of Captain Strathclyde, is still here if you want to read it again.

hi, i'm g. k. chesterton
atheism is a nightmare, to me
also, japanese people are elves

the depths

ZONE

stop rolling d4s when you get to the crater

	terrain	encounter
1	lake, the water tinted wrong. steaming banks swarmed thick by bloated flies	toads as big as dogs. d3+4 of them, with d3+4 legs each, twitching grumpily. their venom causes hallucinations of an earth destroyed and reborn. seizures at higher dose
2	pines. mostly toppled. caught like pick-up-sticks in each others arms	deer blasted into after-images. skittish. flickering blackwhite silhouettes leap away over the brush. if a buck runs through you your bones glow through your skin like an xray
3	heath. wildflowers in a thousand coruscating shades, each a tiny atomic sunset	brainwolves. lobes bared like teeth from the top of their head, spilled from the hollow where eyes should be. only d4+1 left in the pack, their minds meshed in howling psychic echolocation
4	crater punched hard into the rock, cracks still sizzling with radioactive heat	armoured personnel, bodies helplessly melted into their truck, souls fused in the plutonium forge. their chassis is irreparably torn, engine near liquid with heat. hunting officers, scientists and politicians
5	crater	angered earth. the bomb lodged in its chest a nuclear heart, overflown with hateful passion. titanic fists obliterate themselves against anything it can reach. it scoops a handful of dirt and screams at it until the atoms burn off
6+	crater	torn reality. something is visible on the other side. god, probably. an alien world and your childhood home. reality has been undone, memetic tumours are all that's left. it's every burning future all at once. a perfect void but no vacuum; you realise that our world is hollow now too

HYPERAUSTRALIS

best way to get back to earth is to climb the nearest mountain, wait for a snowstorm, then jump off a cliff
roll d6s, adjust depth as instructed, minimum 0

1	playful platypus, as long as your arm and twice as friendly. its fur is worth an inestimable fortune. its venom could kill you in seconds depth +1
2	herd of brumbies. shaggy steppe ponies grown huge and wild in hyperaustralian air. stumbled in from somewhere in the himalayas, they're breeding out of control and wreaking havoc in this alien ecosystem depth +1
3	lyrebird skulks just out of sight. tired of scratching in the dirt for bugs it calls to you, testing cries and words to find what sequence of sounds might encourage you towards a clumsy death depth +1, and the bird follows you
4	hundred-strong mob of roo grazes, indolent but fiercely territorial. one of the larger will sway up to you to pick a fight. the legs hit like a log trap, though if you can knock it down the rest will let you pass without issue defeat a roo or depth -1
5	lone echidna, bear-sized, snuffles in the dirt. its quills are said to carry great potency of an unspecified kind. follow it long enough, collecting dropped barbs, and it will lead you far, far from its nest and your path depth -2 if you follow it, else depth +1
6	the wombat is nowhere to be seen, though its den is impossible to miss. earth gouged by paws fatter than your torso. soft square spoor the size of your fist. the cool breeze wafting from the tunnel suggests it may lead just where you're headed depth -2+d4 if you take the tunnel. encounter a pissed off diprotodon if you come back through otherwise, depth +1
7	crimson rosellas, their wings a dozen shades of snowstorm blue. they squawk and giggle in the trees, the first flakes of snow falling around them. somewhere between beautiful and ear-splittingly annoying. if you try to camp near them you won't sleep a wink depth +1
8	the rock here is bare, thin snow failing to congeal in the near-constant wind. this peak is not yet high enough, though the view is quite beautiful depth -1
9	finally the snow thickens, trackless and serene. just under the surface pygmy possums lair. too much weight on the crust and you'll punch through into their den. their swarming bites are rarely lethal, so long as someone helps pulls you out depth +1
10+	the peak is flat, almost disappointing, uneventful until night falls. the aurora australis roars overhead, colours calling to you even in your dreams. too much time spent up here, before the snows come to open a path back home, and you might never want to leave

THE ANCIENT PAST
start at depth 1. instead of just +1 per step add the result of your d6. if you go off the end of the table you wrap back around to the start

1	present day. five minutes have passed every time you go through a whole loop
2	bronze age. arching sandstone cities in the distance, lit by a sumptuous purple sky. to either side a sweating, confused gladiator, their duel interrupted
3	ice age. sleet sheets cuts through cloth like a sickle. from the bones of your feet comes thunder - a mammoth stampede driven before pelt-draped hunters
4	meteor impact. sky is thick with smog, white-hot trails cutting through from the ruination flying overhead
5	triassic jungle. towering ferns busied by mosquitoes big as birds. behind you a trex, sniffing curiously
6	flooded. warm, shallow sea. skittering clockwork arthopods bicker below. the 10ft of water above your head teems with motes of near-microscopic life
7	mossworld. utterly tranquil, though the air is a little thin. sky a light, fresh blue. nothing but mosses and extremely dumb bugs.
8	endless rains. the rock hot underfoot, only recently cooled enough to let liquid water form. high above are all the world's oceans, still a broiling cloud thick with lightning
9	molten earth. a tiny promontory of basalt thrust up from seas of magma, slowly tipping back down into the heat
10	time engine. hazmat suited figures with bulging heads and the wrong number of fingers. they fiddle with knobs and radio in for timemarines to stop your nefarious meddling

DEPTH TABBLES

d10s

1	okay so you like add 'depth' to your roll to indicate that you're moving through something?	11	oh christ and variance is a whole thing?? the smaller the die you're rolling the higher chance of doubles, and the less likely to miss things
2	wait so you've only got one chance to see the first thing on the table? it better be a special one...	12	can always double up entries, too, to smooth out the progression
3	but like you could still roll doubles, or get something that was higher up than what you just rolled; things can't be expected to occur in order	13	double ups in one column but not another? like the landscape column doesn't change much but encounters do
4	oh right and it doesn't have to be spatial. it could be temporal, or like stages of a disease or the passing of seasons	14	or, jeepers, different columns are different lengths?? like you have to get to a certain depth on one to get the really crazy shit, but the other column probably cuts you short?
5	huh you could even have the table be a loop, that you just keep wrapping around	15	you could even roll different sized dice but that sounds kind of fucked
6	and entries could totally tell you how much to change depth by	16	you definitely want to preroll everything if you're doing a spatial one. it's more like procedural generation at that point
7	or wow even just jump you to a specific point on the table	17	but the more reactive ones.. you could maybe do social encounters through them, even build a generalised one, like peril dice or whatever
8	obviously you can give it multiple columns, to get some of that sweet precious permutation going	18	every table probably does need specific rules. how to handle doubles, which of all these weird permutations it employs
9	or damn even multiple axes, so you can go deeper in different directions along, let's be real, probably just a grid	19	okay what if you simply reduced all human activity down to several thousand vectors, and all pc activities are coded into these at appropriate depth...
10	okay yeah what if the table doesn't even end at the point you've trying to get to? you can overshoot and then realise you have to backtrack or w/e	20	...and then u apply a depth mechanic to the process of developing depth mechanics, so u can depth mechanic while u

The Strange Fate of Captain Strathclyde

I'm trying a new thing where I write horror stories and put them on Medium.

The first one is called The Strange Fate of Captain Strathclyde. It's about a guy who takes a job as personal assistant to a reclusive novelist, in a creepy old house in the Appalachians, and finds that extremely creepy things start happening.

One of the strangest things about the 21st-century internet is the complete lack of places to publish good short fiction. I assume they exist - the old sci-fi magazines still all seem to be going on, somewhere or other - but I don't read them and neither do you. They don't have any actual cultural reach. And the existence of blogging platforms has made their publishing model obsolete in a way that nobody at all seems to have reckoned with.

In the old days, if you wanted to get published, you needed to persuade somebody with a printing press to actually, physically put it down on a piece of paper and deliver it to bookstores and newsagents across the nation. Hence Lovecraft having to go through Weird Tales, Steven King publishing in... I think it's all these small magazines with names like Startling Mystery Stories that don't exist any more, because why would they? Now you just whack it online.

Nobody needs to approve of what you write. The only hiccup is that you need to build a social-media following on your own, which can be tricky. The best way to do it is to have an existing community of people who do similar stuff. The OSR blogging sphere has obviously been good, although harder to use since G+ died. But we haven't done a lot of actual storytelling - it has always seemed to me like a weirdly dead art, at this point in history.

We do a lot of incredible fiction but very little of it is narrative. And nobody else is doing it either, at least not a way I'm interested in. I remember when I made my Twine game A Thing Called Dracula I struggled to find a way to popularise it, or people who were interested in talking about it and building on it. There is a gap here that someone needs to fill.

I'm interested in Twilight Zone-style horror stories, detective and crime stories, weird tales with some creepy little ironic twist at the end. It's kind of a deliberately old-fashioned project. I want to do a couple more of these and see where it goes. I also wrote a book last year - a crime novel called Croatoan, about conspiracy theories, the pitch being Elmore Leonard does the X-Files - and if I can't get it published traditionally I'll start trying to sell it online as an e-book. So there's that.

snakebit swamp

water from the heart of snakebit swamp will grant you immortal life and make you suicidally depressed. the people that live around it are weathered and wizened. they rarely see the sun. the fog hangs heavy; limp and living

there are many huts on the wet banks of the swamp. a respectable living can be made picking through the snake bones that line the shore, searching for ones small enough to drag home. less choose to live where the trees give way, where curving serpent spines lay rickety lanes through the bog. the dangers are not terribly precarious (the water is cold and the eels quite vicious) but the swamp is lachrymose, given to nostalgia and stealing away children

- roll a d4 on the below table, adding 1 for every fresh step along a snake spine
- a decent sized splash will attract (2d4 x depth) eels

- if you roll a branch, one side will go deeper and one shallower. no need to tell pcs which is which

- preroll this shit. it will let you figure out a few small connections across the map. e.g., some mammoth children are on the way to visit a hermit, the skelton has seen the nearby opossum dragging a slain mammoth back to its nest
- when you roll the same thing twice in a row, smoosh it together.  a tangle is now a nest, all ossified eggshell and an unliving foetus. a hermit is now a neolithic shrine of yellow bone, hermit's ghost haunting their carved skeleton at the centre

1	the soil is wet, thick, heavy. patches of thin grass struggle to hold the earth together. 2d4 tired-eyed villagers pick along the shore, passing a foul-smelling flask between them. they greatly appreciate attempts at warmth and humour, and anyone taking the effort to make small talk will likely be offered a guide for the swamp
2	tiny, bellicose weaver birds have built a shabby nest amongst a stand of copper trees. indignant at your trespass they divebomb, swooping and shitting at you. the bones under your feet are slick with guano. a closer inspection of their nest would reveal the trees upon which it's built to be hollow copper tubes, sluicing warm mist from somewhere below the water
3	by dint of some great wisdom or luck, a flea-ridden hermit has erected a meters-long rib bone a few dozen meters from the path. their past decades have been spent carving an intricate history of the world into it. they will call out to you, pressing for esoteric histories and happily nattering about the conspiracy of ice
4	two great skeletons lie here entwined. the ribs are rolled and tumbled, vertebra scattered like dice. the path through is perilous, bones worn silk smooth over uncertain centuries. beads of fog reflect the pinprick eyes of eels waiting for you to slip. the path onwards is tripartite: the snake you came in on or either half of the other leading out
5	a small herd of micromammoth, shrilly trumpeting. thick wool on their bellies keeps them warm and safe from the eels. their backs are picked clean and combed by their favoured pets; a tribe of children, faces old and wrinkled, adorned with feathers. will brutally murder any non-human primates they see
6	the monotonous ossuary ends abruptly in a skull, biting through death into another snake. the lee of its huge jaw offers shelter, currently home to a nest of water rat. water is pooled in the hollows of its fangs. condensed from the fog, this ghostly venom is said to grant lucid visions of past lives. this perhaps could help decide which path to take, left or right along the new serpent
7	clinging to a rib bone below is an ancient yellowed skeleton, swallowed before the snakes began to rot. it believes itself still trapped in a reptilian belly, maintaining that it cannot see anything through the snake's thick scales, but will happily natter hazy descriptions of all the curious things it's seen through centuries of silent swamp. its life is harder to recall: problems in the great machine, frost leaking from the ground, the thick jungle blighted by alien climate
8	pond scum churns steadily. bubbles form thick and slow, cloaked in cold mist and birthing through the surface of the water like whales in tar. fingernail and fist sized, then all at once a hillfull of chronochloric gas. inside is a whipping white wind, another world. silhouettes blur across the bubble's surface as it rises, tusks and fangs and furry hides. when it pops a mound of snow drops into the water, begins to slowly melt
9	hunched and glaring, a bulky growth on the bone, the opposum is bigger than a bear. skittish still though; it is an ambush predator. it hunts in bubbles of time, eye pressed soft against the surface of the water, watching a hundred years of ice to find one weak, flitting pulse of life. diving in and out before the bubble can pop, a blink of bloody battle with the ancient beast
10	groaning through the mire on pillars of bronze, its brontosaur bulk too heavy to lift from the water. always working, patching leaks and scavenging parts. slowly, sadly sealing off sections of the machine too far gone. above the water a periscope of features: black glass eyes, delicate brass arms. it can't see you, but for your bones and the metal you carry. brass or bronze or tin it takes straight to the centre of the swamp, heedless of the birds and toads and other lives that sit astride its back
11	the swamp deepens, mirror-dark surface sliding up the arc of bones to lap coldly at your boots. you can see the line of vertebrae continue below the water, and a few hundred meters something else rises up. huge copper pipes, some boiling hot, others traced in ice, all fingers stretched from the great machine in the swamp's heart
12+	an ancient city, twice rebuilt. first by its scientists, in their efforts to slow the apocalypse they had begun. the second by its somnolent servitors, the great brass golems still at work stemming, bleeding, keeping back the pressure of an invasive past. every street now is paved with copper pipe and ferns, ill-fit rooms jammed with steaming alembic jungle

EFFECTS OF THE TIME WATER
(drinking snake venom, time bubble popping in your face, falling into the water in the centre of the swamp, etc)
(also a depth mechanic. roll d10, +1 per exposure)

1	devolve into apeman
2	can commune with beasts of ancient past
3	gain wrinkles, liver spots
4	hair goes white
5	lose concept of 'future'
6	can smell back in time
7	can only take pleasure in reminiscence
8	arthritis
9	cataracts
10	stop aging
11	possessed by ancestor spirits
12	time hiccups - groundhog day until you next fail a save vs fear
13	haunted by dead past selves
14	hunted by the time serpent
15	event from your future compressed into your past
16	belches rapidly age a small area in front of mouth
17	indigestion - exist both now and 65,000 years in past
18	youth restored
19	become super old
20+	immortality

encountering the dero

Depth mechanic as sanity system. On each table roll d20+X where X is how crazy you are.

MEDIUM

1. Graffiti.
2. Fortune cookie.
3. Missing-person posters.
4. Biro scrawlings on dollar bill.
5. Crazy call-in to morning radio.
6. Street preacher's religious rants.
7. Mutterings of crazy homeless guy.
8. Overheard public-transport dialogue.
9. Warning message broadcast over loudspeaker.
10. Spam that gets through your filter somehow.
11. FW: FW: FW: email from elderly relative.
12. Internet ads. Gone when you refresh the page.
13. Second-hand paperback you don't remember buying.
14. Forgotten episode of old TV show.
15. Letters to the editor.
16. Dating-app messages.
17. Old science-fiction magazine.
18. Unwanted Youtube recommendations.
19. Comments on your blog.
20. Comments on your favourite Pornhub video.
21. Shouted argument from next apartment.
22. Joke from your boss that you feel obliged to laugh at.
23. Co-worker conversation that stops when you enter the room.
24. Mom asks for your opinion, changes subject before you answer.
25. Voice that takes your order at drive-through restaurant.
26. Inscrutable Facebook message from high-school friend.
27. Old acquaintance bumped into on street, not looking well.
28. DMs via obscure forum you forgot you had an account on.
29. Job offer from dodgy but persistent recruiter.
30. Threatening letter from nonexistent law firm.
31. Diary entries you don't remember making.
32. Words on electronic traffic sign.
33. Garbled phone call.
34. Texts from unfamiliar number.
35. Note slipped under your door.
36. Note you find in your pocket.
37. Note attached to the leg of a bird that falls from the sky.
38. Nondescript man who approaches you in public.
39. Screams of stranger being dragged into car.
40. Message left at scene of horrible crime.
41. Lunatic who attacks you in dark alley.
42. Cop who claims somebody calls 911.
43. Black-clad government agent at your door.
44. President works you into a televised speech.
45. Sitcom character turns to camera, address you by name.
46. Talking animal.
47. Talking object.
48. Booming voice of God.
49. Thoughts beamed directly into your brain.
50. Orderlies who come to take you away to the hospital.

MESSAGE

1. The dero are a symptom of mental illness.
2. The dero are a metaphor for the pressures of modern society.
3. The dero are fabricated as a distraction by your political enemies.
4. The dero are a product of collective mass hysteria and must be fought with reason and logic.
5. The dero exist, but they're not as big a deal as people think.
6. The dero exist, but the authorities have them under control.
7. The dero have a secret civilisation underground.
8. The dero use rays to project false information into our minds.
9. The dero abduct people to perform weird medical experiments.
10. The dero are headquartered under the Pentagon.
11. The dero are headquartered in the catacombs of Paris, France.
12. The dero are controlled by a single giant brain.
13. The dero are all sexy women and they want to have sex with you.
14. The dero force every world leader to engage in sadistic sexual rituals.
15. The dero came from the future to save the planet from our evil ways.
16. The dero consider human flesh a delicacy.
17. The dero are Communists.
18. The dero are Jews.
19. The dero are Nazis.
20. The dero are biblical demons.
21. History has been falsified to conceal the existence of the dero.
22. All existing information about the dero has been fabricated by the dero.
23. All politicians and media figures are willing puppets of the dero.
24. All disasters, massacres and genocides are faked by the dero to make people afraid.
25. Some of the celebrities know about the dero and if you get to them they can help you.
26. Tinfoil hats repel dero thought rays.
27. Your friends and family are being replaced by dero imposters.
28. It's totally fine to masturbate in public.
29. Your friends and family are being held underground and tortured by dero.
30. Drinking your own urine is the key to eternal life.
31. You are an agent of the dero and you must fulfil your mission.
32. Time is cubic.
33. You are an agent of the humans and you must fight the influence of the dero.
34. Dogs can secretly talk.
35. You have been driven insane by dero thought rays.
36. Milk makes you gay.
37. Everyone else has been driven insane by dero thought rays.
38. Children are trying to save the world but they need your help.
39. The dero are simulating your reality and you must wake up before you die.
40. The dero want you to hurt people and do fucked-up sex stuff.
41. The dero want to help you but you have to trust them absolutely.
42. The dero are coming for you right now, in the next fifteen minutes.
43. You can save the world by killing the most important dero.
44. You're the most important dero and this is just what being a dero is like.
45. You're on the verge of a great scientific breakthrough and the dero are trying to stop you.
46. You're an extradimensional super-alien imprisoned by the dero in corporeal form.
47. You're the Messiah and the dero are your disciples.
48. You can read minds and it makes you too dangerous to live.
49. You're a character in a game of fantasy and the player controlling you is a callous monster.
50. You have been diagnosed with schizophrenia by a doctor and require medication.

https://stefanpoag.com/2016/05/09/shaver-mystery-2/